calleking wrote: ↑Thu May 02, 2019 5:50 pmAny ideas on how to repair/fix this? It's a Sagan Superstar paint job on a SL6. Makes me sad
Could you fit a stainless steal chain guard similare to the one used on the SL5 -
https://www.usjcycles.com/v3/wp-content ... carbon.jpg
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I'll venture a guess that you can get close to complete repair with just some prep and clear coat. That said, any flake like that is hard to touch up and you'll probably still notice if you know what you are looking for, but it will be a lot better than it is now. Frame repair shop or someone that specializes in motorcycle helmets and such could do the work.
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I'm not sure that is stainless steel... I'm almost 100% certain it is not.FrankG wrote: ↑Thu May 09, 2019 4:22 pm
Could you fit a stainless steal chain guard similare to the one used on the SL5 -
https://www.usjcycles.com/v3/wp-content ... carbon.jpg
Hi! What are you shooting with on these pictures? Please share
CrankAddictsRich wrote: ↑Sat Apr 20, 2019 12:00 amHere are a few Tarmacs that I have photographed.
2019 S-Works Tarmac SL6 disc Anna van der Breggan WC edition
2019 S-Works Tarmac SL6 Disc Black with holographic keyline.
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Canon 5DmkIII w/ 85mm f/1.2L
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$$$$ That right there is a nice camera.
2020 S-Works Tarmac SL6
2018 Specialized Tarmac Expert Sl5
2018 Specialized Tarmac Expert Sl5
Thanks mate!
I have a Fujifilm and shoot with a 56mm f/1.2, but I really don’t get the same blurred background.
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Which Fuji? I'm not super knowledgable on the different Fuji models, but if I had to guess, I'd say it not a full-frame sensor... i.e. the sensor is not equivalent to 35mm film. It has to do with the optics, the way the lens mounts and the distance between the rear of the lens and the sensor surface. Those dimensions, combined with the size of the sensor all effect the bokeh.
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Yea... but not great for that chromatic aberation. I should've fixed it on the black S-Works.
who does not love purple fringes and your lucky the subject is stationary with the 85 1.2CrankAddictsRich wrote: ↑Thu May 16, 2019 8:52 pmYea... but not great for that chromatic aberation. I should've fixed it on the black S-Works.
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Hahaha.. Lots of people knock the AF speed and accuracy and while its certainly not the best, I find it to be adequate enough that I shoot it at weddings without much issue. The times that it does give me trouble, the conditions would likely give most lenses trouble... super low-light with flashes of bright, DJ lights.
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that's good glass. I was a motorsports photographer for a while.. had that 200 f/2. That thing was great. I also had a 400 f/5.6L. It didn't have that super shallow depth of field of its big brothers but the AF speed on it was bonkers.
Love the pictures Rich! Really cool effect with the blurry background.
Road // 2023 S-Works Tarmac SL8 | Shimano Dura-Ace Di2 | Roval Rapide CLX
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Retired // 2022 S-Works Shiv TT // 2021 S-Works Tarmac SL7 // 2019 Specialized Allez Sprint Red Hook
Gravel // 2023 Specialized Crux Pro | SRAM Force AXS | Roval Terra CL
Retired // 2022 S-Works Shiv TT // 2021 S-Works Tarmac SL7 // 2019 Specialized Allez Sprint Red Hook
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